Untitled

<font size="4"><br /> LTMO-115 — SCIENCE FICTION, THEORY & PRACTICE<br /> Winter 1997<br /></font><center><img src="/outthere/hellby.gif"/></center><br /> <center><br /> <h1>FINAL ASSIGNMENT:</h1> <p></center><center> <b>DUE WEDNESDAY MARCH 19 at 1 p.m.</b></center><br /> Your T.A. will announce a drop-off location for your section.<br /> <hr/> <p>You have two options for your final project.</p> <p><b>A.</b><br /> <h2> Take-home exam (3-hour writing time)</h2> <p>.<br /><img src="/outthere/smiley.gif"/><font color="RED">A baby almost killed me as I walked to work one morning. By passing beneath a bus shelter’s roof at the ordained moment I lived to tell my tale. With strangers surrounding me I looked at what remained. Laughter from heaven made us life our eyes skyward. The baby’s mother lowered her arms and leaned out her window. Without applause her audience drifted off, seeking crumbs in the gutters of this city of God. Xerox shingles covered the shelter’s remaining glass pane, and the largest read:</p> <p></font><center><br /> <blockquote> Want to be crucified. Have own nails.<br /> <br /> Leave message on machine.</p></blockquote> <p></center><br /> The fringe of numbers along the ad’s hem had been stripped away. My shoes crunched glass underfoot; my skirt clung to my legs as I continued down the street. November dawn’s seventy-degree bath made my hair lose its set. Mother above appeared ready to take her own bow; I too, as ever, flew on alone. COLOR><br /> Jack Womack <em>Heathern</em> <img src="/outthere/smiley.gif"/> <p/> <hr/> <blockquote> Choose two topics from the list of options. For each topic, plot<br /> out an essay response and do any necessary re-reading (to refresh your<br /> memory, gather textual support for your argument, take notes, etc.). Then,<br /> sit down and write your responses (1 1/2 hours for each, and yes of course<br /> you can take a break in between). After you have written your responses,<br /> take some time to proofread, type (if you didn’t typewrite it in the first<br /> place), and add any necessary references.</p></blockquote> <p><b>1.</b> Do a critical comparative reading of the representation (or<br /> non-representation) of racial difference in any two sf texts we’ve read<br /> this quarter. How do these texts elaborate (or erase, or both) a critical<br /> dialogue on race and identity? <p><b>2.</b> The following is a passage from Theodor Adorno, written in 1944:</p> </p> <blockquote><p>Technology is making gestures precise and brutal, and with them men [sic].<br /> It expels from movements all hesitation, deliberation, civility. It<br /> subjects them to the implacable, as it were ahistorical demands of objects.<br /> Thus the ability is lost, for example, to close a door quietly and<br /> discreetly, yet firmly. Those of cars and refrigerators have to be<br /> slammed, others have a tendency to snap shut by themselves, imposing on<br /> those entering the bad manners of not looking behind them, not shielding<br /> the interior of the house which receives them. The new human type cannot<br /> be properly understood without awareness of what he is continuously exposed<br /> to from the world of things about him, even in his most secret<br /> innervations. What does it mean for the subject that there are no more<br /> casement windows to open, but only sliding frames to shove, no gentle<br /> latches but turnable handles, no forecourt, no doorstep before the street,<br /> no wall around the garden? And which driver is not tempted, merely by the<br /> power of his engine, to wipe out the vermin in the street, pedestrians,<br /> children and cyclists? The movements machines demand of their users<br /> already have the violent, hard-hitting, unresting jerkiness of Fascist<br /> maltreatment. Not least to blame for the withering of experience is the<br /> fact that things, under the law of pure functionality, assume a form that<br /> limits contact with them to mere operation, and tolerates no surplus either<br /> in freedom of conduct or in autonomy of things, which would survive as the<br /> core of experience, because it is not consumed by the moment of action.</p></blockquote> <p>(*Minima Moralia*>, 19)</p> <p>Adorno’s question — „what does it mean for the subject…?“ — structures<br /> many of the sf texts we’ve read this quarter. Choose two texts (one of<br /> which should be a novel) and analyze their representation of the subject<br /> and technology (one could say the subject of technology, or also the<br /> subject to technology). Keep in mind not only the ‚generic‘ sense of<br /> technology (as in Adorno’s use of the word), but also the Foucauldian<br /> concept of technology or ‚apparatus.‘ Also keep in mind technology’s<br /> relation to capital (Russ, „SF and Technology as Mystification,“<br /> particularly 34-39; you might also want to look at Fredric Jameson,<br /> *Postmodernism, or the Cultural Logic of Late Capitalism*, 35-38). <p><b>3. </b> This topic is adjacent/subset to the topic on the subject and/of/to<br /> technology: IF YOU RESPOND TO #2 DO NOT RESPOND TO #3. Analyze sf<br /> representations of technological (i.e. biotech, electronic, mechanical,<br /> virtual, etc.) personhood. How do such representations contribute to or<br /> inflect the critcal project of displacing the hegemonic subject (see<br /> ../~ltmo115/guide1.htm & http://www.slip.net/~ejackson/subsign.html). As<br /> with other topics, your response must be comparative (include at least two<br /> texts from the syllabus).</p> <p><img src="/outthere/hellkt.gif"/><b>4.</b> Analyze the politics of authorship in the field(s) of sf. There are<br /> several possible ways to approach this topic. Your reading could be a<br /> theoretical investigation, drawing on Samuel Delany’s discussions of this<br /> problem in *Silent Interviews* (see also ../~ltmo115/delany1.htm) and<br /> connecting his thinking to: a) other theoretical considerations of the<br /> question (such as in Foucault and Barthes); and/or b) one of the sf texts<br /> we’ve read in the course. Or, you may choose to investigate sf’s textual<br /> production of the author — for example, a reading of ‚authorship‘ in<br /> <em>Trouble on Triton</em> might require analysis of the Spike’s microtheater, the<br /> status of the ice opera, the game of vlet, Bron’s narration of his self,<br /> etc. You might also consider, for example, the historically vexed<br /> relations of gender and genre in sf.</p> <p><b>5.</b> Do a critical comparative reading of the representation of women and<br /> technology (use at least two texts). Here, you might want to take the time<br /> to look back at some of the optional reading, such as John Varley’s<br /> „Phantom of Kansas.“ You should also read Donna Haraway’s „A Manifesto for<br /> Cyborgs.“ This essay appeared in the *<em>Socialist Review</em> * 16.2 (March/April<br /> 1985); the ‚final‘ version can be found in Haraway’s *Cyborgs, Simian, and<br /> Women* (NY: Routledge, 1991). An early version is also available on line<br /> (http://www.cc.rochester.edu/College/FS/Publications/HarawayCyborg.html).<br /> Another important resource: Ann Balsamo, *<em>Technologies of the Gendered<br /> Body </em>* (optional text for this course).</p> <p><b>6.</b> <a name="role">What was the significance</a> of the Bulgarians‚ role in <em>Elivissey</em>? And the function of that quirk in Scott Davis’s lecture on March 4, 1997? This is not actually a question, but a belated proleptic gloss (too early, too late) on Peggy Lee’s 1957 live recording of „Fever,“ perhaps itself an oblique attempt toward a <em>saudade</em> for the „original“ (there is no original) recording, completed in the year that *Kiss Me, Deadly* was released. I hope this is perfectly clear. Any attempt to answer this question will result in failure of the course. (See Hysteria and PARANOIA).</p> <p><b>7.</b> Explain clearly and usefully what Teresa de Lauretis means by „technology“ in her essay, „Technology of Gender.“ Dialogue this essay (while elaborating through this dialogue your understanding of de Lauretis’s argument and its implications) with your reading of either <em>The Female Man</em> (and that would be plenty); or with any two of the following: „No Woman Born;“ „The Girl Who Was Plugged In;“ „The View from Venus“; „Planet of the Rapes;“ „When it Changed“; or „A Short in the Chest“.</p> <p><b>8. </b>We have discussed SF as a radically object-oriented textual practice. Yet Greg Egan’s characters and narrators seem obsessed with the Self, and its „truth,“ perdurability, its unquestioned right to survive even the heat death of the universe. Take any two of Greg Egan’s short stories (or any of his novels, if you’ve read them), and delineate how the very attention to the „self“ is only apparent belief in such a self and how each narrative actually undermines (and literalizes) the impossibility/untenability of the self as a principle/concept within the technosocial environments of Egan’s worlds.</p> <p> <blink>** NOTE:</blink> an Internet Exercise minor trick here is – find the stories.</p> <p><b>9.</b> Let us assume, for the sake of the larger argument, that Russ’s <i>The Female Man</i> is a „utopian“ fiction. Define utopian fiction and its strategies (using The Female Man as the exemplum of your model). Now let us assume that Womack’s novels of the Dryco world are „dystopian“ novels. (This is easier, but for the sake of symmetry and clarity, define „dystopian fiction“ too.) Now articulate the differences in strategies of thematic and conceptual presentation (and, if you like, even things like „characterization“) between the „utopian“ Russ novel and either of the two Womack novels we did as as dystopian novel. This contrastive comparision should be framed within an explicitly articulated definition of the paraliterary novel’s dialogic relationship with given world. Cite Delany. <blink>Wonder</blink>. <blink>Worry</blink>.</p> <p><b>10.</b> Explain Delany’s theory of the advantage in the paraliterary status of<br /> science fiction in terms of the critical dialogue achieved in any two of<br /> the following: „Aye, and Gomorrah…“; <em>The Female Man</em> , <em>Elvissey</em>.</p> <p><b>11. </b> Discuss the politics of the subject and analyze its anti-Cartesian subversion Russ’s <em>The Female Man</em> and Pat Cadigan’s <em>Fools</em> (you may<br /> also make reference to other texts, but focus your discussion on these novels). </p> <p>B. <img align="left" src="/outthere/hellrt.gif"/></p> <h2> A final project of your own choosing, developed in consultation with<br /> and approved by your T.A.</h2> <blockquote><p> This option allows you to propose and develop your own final<br /> project. In order to pursue this option, YOU MUST SUBMIT YOUR PROPOSAL TO<br /> YOUR T.A. AS SOON AS POSSIBLE — no later than Tuesday, March 11. Some<br /> proposals may require an accompanying explanatory essay (this will be up to<br /> your T.A.). Possibilities include, but are not limited to:</p></blockquote> <ul> <li> * write a conventional final essay on a topic of your choosing;</li> <li> * write an sf short story, along with a brief explanatory essay;</li> <li> * develop a web site (depending on your proposal, this may also </li> <li> require an explanatory essay);</li> <li> * assemble/produce a multimedia or visual culture project (such as </li> <li> film/video, drawing/painting, photography).</li> </ul> <p><center><img src="/outthere/spins.gif"/></center><center>Return to Syllabus</center><br /></netscape></body></p> </div><!-- .entry-content --> </article><!-- #post-## --> </div> </main><!-- #main --> </div><!-- #primary --> </div> <div id="secondary" class="widget-area col-sm-12 col-md-4" role="complementary"> <div class="well"> <aside id="text-3" class="widget widget_text"> <div class="textwidget"><!--- Start HTML-Code superclix.de Partnerprogramm 15472/88140 ---> <a href="http://clix.superclix.de/cgi-bin/clix.cgi?id=franko&pp=15472&linknr=88140" target="_blank" rel="nofollow"> <img src="http://s207837569.online.de/sc/ingersoll/ingersoll-300x250.jpg" width="300" height="250" alt="tolle-uhren.de" border="0"></a> <!--- Ende HTML-Code superclix.de Partnerprogramm 15472/88140 ---></div> </aside><aside id="search-2" class="widget widget_search"> <form role="search" method="get" class="form-search" action="http://www.anotherscene.com/"> <div class="input-group"> <label class="screen-reader-text" for="s">Search for:</label> <input type="text" class="form-control search-query" placeholder="Suche…" value="" name="s" title="Suche nach:" /> <span class="input-group-btn"> <button type="submit" class="btn btn-default" name="submit" id="searchsubmit" value="Suche"><span class="glyphicon glyphicon-search"></span></button> </span> </div> </form></aside> <aside id="recent-posts-2" class="widget widget_recent_entries"> <h3 class="widget-title">Letzte Beiträge</h3> <ul> <li> <a href="http://www.anotherscene.com/2017/03/01/another-scene/">ANOTHER SCENE</a> </li> <li> <a href="http://www.anotherscene.com/2017/02/27/wie-kann-man-eine-beziehung-retten/">Wie kann man eine beziehung retten?</a> </li> <li> <a href="http://www.anotherscene.com/2016/11/30/ex-zurueck-tipps/">Ex zurück Tipps</a> </li> <li> <a href="http://www.anotherscene.com/2016/11/30/ex-freundin-zurueckgewinnen/">Ex Freundin zurückgewinnen</a> </li> <li> <a href="http://www.anotherscene.com/2016/11/30/ex-zurueck/">Ex zurück</a> </li> <li> <a href="http://www.anotherscene.com/2016/11/30/ex-zurueckgewinnen/">Ex zurückgewinnen</a> </li> <li> <a href="http://www.anotherscene.com/2015/09/07/fahnen-drucken-wie-geht-das/">Fahnen drucken – wie geht das?</a> </li> <li> <a href="http://www.anotherscene.com/2015/09/07/fahnen-zubehoer-flaggen-optimal-in-szene-setzen/">Fahnen Zubehör – Flaggen optimal in Szene setzen</a> </li> <li> <a href="http://www.anotherscene.com/2015/09/07/fahnen-ostern-und-das-fest-kann-beginnen/">Fahnen Ostern – und das Fest kann beginnen</a> </li> <li> <a href="http://www.anotherscene.com/2015/09/07/fahnen-guenstig-finden/">Fahnen günstig finden</a> </li> <li> <a href="http://www.anotherscene.com/2015/09/07/unvergessliche-events-erleben/">Unvergessliche Events erleben</a> </li> <li> <a href="http://www.anotherscene.com/2015/09/07/mit-fahnen-eine-optimale-werbewirkung-erzielen/">Mit Fahnen eine optimale Werbewirkung erzielen</a> </li> <li> <a href="http://www.anotherscene.com/2015/09/07/banner-kreativ-werben-und-informieren/">Banner – kreativ werben und informieren</a> </li> <li> <a href="http://www.anotherscene.com/2015/09/07/schloesser-ein-urlaub-der-ganz-besonderen-art/">Schlösser – ein Urlaub der ganz besonderen Art</a> </li> <li> <a href="http://www.anotherscene.com/2015/09/07/der-perfekte-werkzeugwagen/">Der perfekte Werkzeugwagen</a> </li> <li> <a href="http://www.anotherscene.com/2015/09/07/schloesser-urlaub-entspannend-und-wohltuend/">Schlösser Urlaub – entspannend und wohltuend</a> </li> <li> <a href="http://www.anotherscene.com/2015/09/07/werkzeugwagen-und-events/">Werkzeugwagen und Events</a> </li> <li> <a href="http://www.anotherscene.com/2015/09/07/banner-die-perfekten-werbetraeger/">Banner – die perfekten Werbeträger</a> </li> </ul> </aside><aside id="text-2" class="widget widget_text"> <div class="textwidget"><!--- Start HTML-Code superclix.de Partnerprogramm 13762/51819 ---> <a href="http://clix.superclix.de/cgi-bin/clix.cgi?id=franko&pp=13762&linknr=51819" target="_blank" rel="nofollow"> <img src="http://www.arden-grange.de/shop/images/content/ag_150x150.jpg" width="150" height="150" alt="Arden Grange, Hunde- und Katzenfutter" border="0"></a> <!--- Ende HTML-Code superclix.de Partnerprogramm 13762/51819 ---> </br> </div> </aside><aside id="pages-2" class="widget widget_pages"><h3 class="widget-title">Seiten</h3> <ul> <li class="page_item page-item-884 page_item_has_children"><a href="http://www.anotherscene.com/gluck.html">A Real, Fictional Depth – Robert Glück</a> <ul class='children'> <li class="page_item page-item-885"><a href="http://www.anotherscene.com/gluck/a-real-fictional-depth-robert-glueck-2.html">A Real, Fictional Depth – Robert Glück 2</a></li> <li class="page_item page-item-886"><a href="http://www.anotherscene.com/gluck/a-real-fictional-depth-robert-gluck-4.html">A Real, Fictional Depth Robert Gluck 4</a></li> </ul> </li> <li class="page_item page-item-789 page_item_has_children"><a href="http://www.anotherscene.com/aliennation.html">Aliennation</a> <ul class='children'> <li class="page_item page-item-794"><a href="http://www.anotherscene.com/aliennation/althusserian-trajectory.html">Althusserian Trajectory</a></li> <li class="page_item page-item-791"><a href="http://www.anotherscene.com/aliennation/butterfly-trouble.html">BUTTERFLY TROUBLE</a></li> <li class="page_item page-item-792"><a href="http://www.anotherscene.com/aliennation/butterfly-trouble-take-two.html">BUTTERFLY TROUBLE Take Two</a></li> <li class="page_item page-item-793"><a href="http://www.anotherscene.com/aliennation/condensation-and-suture.html">Condensation and Suture</a></li> <li class="page_item page-item-790"><a href="http://www.anotherscene.com/aliennation/friendly-advice.html">friendly advice</a></li> <li class="page_item page-item-795"><a href="http://www.anotherscene.com/aliennation/sutureb.html">sutureb</a></li> </ul> </li> <li class="page_item page-item-799"><a href="http://www.anotherscene.com/battle-royale-resources.html">Battle Royale Resources</a></li> <li class="page_item page-item-883"><a href="http://www.anotherscene.com/battles-with-honor.html">Battles With Honor</a></li> <li class="page_item page-item-756 page_item_has_children"><a href="http://www.anotherscene.com/category.html">Category</a> <ul class='children'> <li class="page_item page-item-753 page_item_has_children"><a href="http://www.anotherscene.com/category/directory-home.html">Directory home : Indicizzazione</a> <ul class='children'> <li class="page_item page-item-754"><a href="http://www.anotherscene.com/category/directory-home/754-2.html">Directory home : Indicizzazione</a></li> </ul> </li> </ul> </li> <li class="page_item page-item-807 page_item_has_children"><a href="http://www.anotherscene.com/cliff.html">Cliff</a> <ul class='children'> <li class="page_item page-item-808"><a href="http://www.anotherscene.com/cliff/abplus-html.html">abplus.html</a></li> <li class="page_item page-item-811"><a href="http://www.anotherscene.com/cliff/how-i-taught-suspense-fiction-in-fall-1999.html">How I taught Suspense Fiction in Fall 1999</a></li> <li class="page_item page-item-809"><a href="http://www.anotherscene.com/cliff/may-day.html">May Day</a></li> <li class="page_item page-item-810"><a href="http://www.anotherscene.com/cliff/the-grief-scenario-index.html">The Grief Scenario Index</a></li> </ul> </li> <li class="page_item page-item-796"><a href="http://www.anotherscene.com/cliff-hanger-notes.html">Cliff Hanger Notes</a></li> <li class="page_item page-item-765 page_item_has_children"><a href="http://www.anotherscene.com/invia-un-messaggio.html">Contatti : Indicizzazione</a> <ul class='children'> <li class="page_item page-item-766"><a href="http://www.anotherscene.com/invia-un-messaggio/766-2.html">Contatti : Indicizzazione</a></li> </ul> </li> <li class="page_item page-item-814 page_item_has_children"><a href="http://www.anotherscene.com/critical.html">Critical</a> <ul class='children'> <li class="page_item page-item-815"><a href="http://www.anotherscene.com/critical/a-lifeline.html">A Lifeline</a></li> <li class="page_item page-item-816"><a href="http://www.anotherscene.com/critical/critical-fantasies.html">Critical Fantasies</a></li> </ul> </li> <li class="page_item page-item-817"><a href="http://www.anotherscene.com/cybersexual-outlaws.html">Cybersexual Outlaws</a></li> <li class="page_item page-item-818"><a href="http://www.anotherscene.com/desirecc.html">Desire at Cross[Cultural] Purposes</a></li> <li class="page_item page-item-820 page_item_has_children"><a href="http://www.anotherscene.com/detective.html">Detective Fictions</a> <ul class='children'> <li class="page_item page-item-821"><a href="http://www.anotherscene.com/detective/and-then-i-dreamt-that.html">and then I dreamt that</a></li> <li class="page_item page-item-823"><a href="http://www.anotherscene.com/detective/bumps.html">Bumps</a></li> <li class="page_item page-item-824"><a href="http://www.anotherscene.com/detective/cipher-texts.html">Cipher Texts</a></li> <li class="page_item page-item-828"><a href="http://www.anotherscene.com/detective/cryptograms-and-ciphers.html">Cryptograms and Ciphers</a></li> <li class="page_item page-item-843"><a href="http://www.anotherscene.com/detective/de-quincey-on-coleridge.html">De Quincey on Coleridge</a></li> <li class="page_item page-item-822"><a href="http://www.anotherscene.com/detective/dreams.html">Dreams</a></li> <li class="page_item page-item-836"><a href="http://www.anotherscene.com/detective/e-a-poe-resources.html">E. A. Poe Resources</a></li> <li class="page_item page-item-846"><a href="http://www.anotherscene.com/detective/entitlement.html">Entitlement</a></li> <li class="page_item page-item-826"><a href="http://www.anotherscene.com/detective/example-two.html">Example Two</a></li> <li class="page_item page-item-829"><a href="http://www.anotherscene.com/detective/fear.html">Fear</a></li> <li class="page_item page-item-830"><a href="http://www.anotherscene.com/detective/fear2.html">Fear2</a></li> <li class="page_item page-item-835"><a href="http://www.anotherscene.com/detective/freud-on-philology.html">Freud on Philology</a></li> <li class="page_item page-item-831"><a href="http://www.anotherscene.com/detective/identification-two.html">identification two</a></li> <li class="page_item page-item-847"><a href="http://www.anotherscene.com/detective/letter.html">letter</a></li> <li class="page_item page-item-834"><a href="http://www.anotherscene.com/detective/open-letter.html">Open Letter</a></li> <li class="page_item page-item-833"><a href="http://www.anotherscene.com/detective/pleasures-of-discovery.html">Pleasures of Discovery</a></li> <li class="page_item page-item-842"><a href="http://www.anotherscene.com/detective/resources-for-semiotics.html">Resources for Semiotics</a></li> <li class="page_item page-item-837"><a href="http://www.anotherscene.com/detective/rip.html">Rip</a></li> <li class="page_item page-item-838"><a href="http://www.anotherscene.com/detective/rip-2.html">Rip</a></li> <li class="page_item page-item-839"><a href="http://www.anotherscene.com/detective/rip2.html">rip2</a></li> <li class="page_item page-item-840"><a href="http://www.anotherscene.com/detective/scott-on-semiotics.html">Scott on Semiotics</a></li> <li class="page_item page-item-841"><a href="http://www.anotherscene.com/detective/secrets.html">secrets</a></li> <li class="page_item page-item-827"><a href="http://www.anotherscene.com/detective/the-problems-of-creativeness-96c.html">The Problems of Creativeness 96c</a></li> <li class="page_item page-item-825"><a href="http://www.anotherscene.com/detective/thomas-de-quincey.html">Thomas De Quincey</a></li> <li class="page_item page-item-844"><a href="http://www.anotherscene.com/detective/undelivered.html">Undelivered</a></li> <li class="page_item page-item-845"><a href="http://www.anotherscene.com/detective/unfit.html">Unfit</a></li> </ul> </li> <li class="page_item page-item-758"><a href="http://www.anotherscene.com/dettagli-e-costi.html">Dettagli e costi : Indicizzazione</a></li> <li class="page_item page-item-760 page_item_has_children"><a href="http://www.anotherscene.com/domande-frequenti.html">Domande frequenti : Indicizzazione</a> <ul class='children'> <li class="page_item page-item-761"><a href="http://www.anotherscene.com/domande-frequenti/761-2.html">Domande frequenti : Indicizzazione</a></li> </ul> </li> <li class="page_item page-item-812"><a href="http://www.anotherscene.com/converse.html">epistemophilia networked</a></li> <li class="page_item page-item-996 page_item_has_children"><a href="http://www.anotherscene.com/meaning.html">Histories of Meaning</a> <ul class='children'> <li class="page_item page-item-1022"><a href="http://www.anotherscene.com/meaning/flexicon-1-for-torpedo-fry.html">(F)lexicon 1 for Torpedo Fry</a></li> <li class="page_item page-item-1048"><a href="http://www.anotherscene.com/meaning/philo-sophistikoi.html">[Philo-]Sophistikoi</a></li> <li class="page_item page-item-1053"><a href="http://www.anotherscene.com/meaning/htmlfont-size3-ptsize10subj.html"><HTML><FONT SIZE=3 PTSIZE=10>Subj:</a></li> <li class="page_item page-item-1011"><a href="http://www.anotherscene.com/meaning/a-cybermental-education.html">A Cybermental Education</a></li> <li class="page_item page-item-1065"><a href="http://www.anotherscene.com/meaning/a-guide-to-hemlock-cultivation.html">A Guide to Hemlock Cultivation</a></li> <li class="page_item page-item-997"><a href="http://www.anotherscene.com/meaning/a-letter-about-jane.html">A Letter About Jane</a></li> <li class="page_item page-item-1026"><a href="http://www.anotherscene.com/meaning/a-prehistory-of-histories-of-meaning.html">A Prehistory of Histories of Meaning</a></li> <li class="page_item page-item-998"><a href="http://www.anotherscene.com/meaning/acauto.html">acauto</a></li> <li class="page_item page-item-1002"><a href="http://www.anotherscene.com/meaning/aletheia-for-ion.html">Alêtheia for Ion</a></li> <li class="page_item page-item-1001"><a href="http://www.anotherscene.com/meaning/anthony-c-on-the-ion-part-2.html">Anthony C on the Ion Part 2</a></li> <li class="page_item page-item-1000"><a href="http://www.anotherscene.com/meaning/anthony-costanza.html">Anthony Costanza</a></li> <li class="page_item page-item-999"><a href="http://www.anotherscene.com/meaning/anthony-costanza-on-platos-ion.html">Anthony Costanza on Plato’s Ion</a></li> <li class="page_item page-item-1050"><a href="http://www.anotherscene.com/meaning/belles-semata-lugra.html">Belles sémata lugra</a></li> <li class="page_item page-item-1059"><a href="http://www.anotherscene.com/meaning/broken-promise.html">broken promise</a></li> <li class="page_item page-item-1008"><a href="http://www.anotherscene.com/meaning/contempt-for-imaginary-believers.html">Contempt for Imaginary Believers</a></li> <li class="page_item page-item-1028"><a href="http://www.anotherscene.com/meaning/conversations-in-progress.html">Conversations in Progress</a></li> <li class="page_item page-item-1009"><a href="http://www.anotherscene.com/meaning/cratylus-summaries.html">Cratylus Summaries</a></li> <li class="page_item page-item-1010"><a href="http://www.anotherscene.com/meaning/critical-conditions-conversation-in-progress.html">Critical Conditions – Conversation in progress</a></li> <li class="page_item page-item-1054"><a href="http://www.anotherscene.com/meaning/date.html">Date:</a></li> <li class="page_item page-item-1013"><a href="http://www.anotherscene.com/meaning/dear-javiera.html">Dear Javiera,</a></li> <li class="page_item page-item-1042"><a href="http://www.anotherscene.com/meaning/digital-canon-classics-primary-texts-online.html">Digital Canon – Classics Primary Texts Online</a></li> <li class="page_item page-item-1004"><a href="http://www.anotherscene.com/meaning/earls-comments-on-ray-naylers-response-to-platos-ion.html">Earl’s Comments on Ray Nayler’s Response to Plato’s Ion</a></li> <li class="page_item page-item-1020"><a href="http://www.anotherscene.com/meaning/ergon-html.html">ergon.html</a></li> <li class="page_item page-item-1021"><a href="http://www.anotherscene.com/meaning/ethos-envisioning-the-engagement.html">ethos – envisioning the engagement</a></li> <li class="page_item page-item-1019"><a href="http://www.anotherscene.com/meaning/fun-with-perseus.html">Fun with Perseus</a></li> <li class="page_item page-item-1051"><a href="http://www.anotherscene.com/meaning/grammateidia-tes-narkes.html">Grammateidia tés narkés</a></li> <li class="page_item page-item-1052"><a href="http://www.anotherscene.com/meaning/grammatokuph0on-bibliographies-and-databases.html">Grammatokuph[0]ón Bibliographies and Databases</a></li> <li class="page_item page-item-1033"><a href="http://www.anotherscene.com/meaning/haddockseyes.html">HaddocksEyes</a></li> <li class="page_item page-item-1049"><a href="http://www.anotherscene.com/meaning/historia-history-and-culture-resources-2.html">Historia History and Culture Resources</a></li> <li class="page_item page-item-1043"><a href="http://www.anotherscene.com/meaning/historia-history-and-culture-resources.html">Historia History and Culture Resources</a></li> <li class="page_item page-item-1012"><a href="http://www.anotherscene.com/meaning/histories-of-meaning.html">Histories of Meaning</a></li> <li class="page_item page-item-1014"><a href="http://www.anotherscene.com/meaning/ion-reading-one.html">Ion Reading One</a></li> <li class="page_item page-item-1005"><a href="http://www.anotherscene.com/meaning/javiera.html">Javiera</a></li> <li class="page_item page-item-1030"><a href="http://www.anotherscene.com/meaning/javiera-2.html">Javiera</a></li> <li class="page_item page-item-1029"><a href="http://www.anotherscene.com/meaning/javiera-on-elenchus.html">Javiera on Elenchus</a></li> <li class="page_item page-item-1031"><a href="http://www.anotherscene.com/meaning/joseph-mosconi-on-aristotle-and-schreber.html">Joseph Mosconi on Aristotle and Schreber</a></li> <li class="page_item page-item-1034"><a href="http://www.anotherscene.com/meaning/l-wambeck-cratylus.html">L. Wambeck Cratylus</a></li> <li class="page_item page-item-1045"><a href="http://www.anotherscene.com/meaning/logophilia-linguistics-and-philological-resources.html">Logophilia: Linguistics and Philological Resources</a></li> <li class="page_item page-item-1035"><a href="http://www.anotherscene.com/meaning/lsauto-html.html">lsauto.html</a></li> <li class="page_item page-item-1036"><a href="http://www.anotherscene.com/meaning/lvwanti.html">lvwanti</a></li> <li class="page_item page-item-1037"><a href="http://www.anotherscene.com/meaning/mantiks.html">mantiks</a></li> <li class="page_item page-item-1038"><a href="http://www.anotherscene.com/meaning/marti-on-the-hippolytus.html">Marti on the Hippolytus</a></li> <li class="page_item page-item-1039"><a href="http://www.anotherscene.com/meaning/metapaideutikon.html">Metapaideutikon</a></li> <li class="page_item page-item-1040"><a href="http://www.anotherscene.com/meaning/metaxu-html.html">metaxu.html</a></li> <li class="page_item page-item-1023"><a href="http://www.anotherscene.com/meaning/metemcybersemiosis.html">Metemcybersemiosis</a></li> <li class="page_item page-item-1041"><a href="http://www.anotherscene.com/meaning/nichole-kypreos.html">Nichole Kypreos</a></li> <li class="page_item page-item-1060"><a href="http://www.anotherscene.com/meaning/nkcrat.html">nkcrat</a></li> <li class="page_item page-item-1025"><a href="http://www.anotherscene.com/meaning/our-orientation.html">Our Orientation</a></li> <li class="page_item page-item-1046"><a href="http://www.anotherscene.com/meaning/panphilosophia-general-philosophy-resources.html">Panphilosophia General Philosophy Resources</a></li> <li class="page_item page-item-1032"><a href="http://www.anotherscene.com/meaning/phaedrus-response.html">Phaedrus Response</a></li> <li class="page_item page-item-1047"><a href="http://www.anotherscene.com/meaning/philosophia-ancient-philosophy-resources.html">Philosophia Ancient Philosophy Resources</a></li> <li class="page_item page-item-1018"><a href="http://www.anotherscene.com/meaning/reading-meno-four.html">Reading Meno Four</a></li> <li class="page_item page-item-1015"><a href="http://www.anotherscene.com/meaning/reading-meno-one.html">Reading Meno One</a></li> <li class="page_item page-item-1017"><a href="http://www.anotherscene.com/meaning/reading-meno-three.html">Reading Meno Three</a></li> <li class="page_item page-item-1016"><a href="http://www.anotherscene.com/meaning/reading-meno-two.html">Reading Meno Two</a></li> <li class="page_item page-item-1006"><a href="http://www.anotherscene.com/meaning/reading-plato.html">Reading Plato</a></li> <li class="page_item page-item-1061"><a href="http://www.anotherscene.com/meaning/schooling-torpedo-fish-school.html">Schooling Torpedo Fish School</a></li> <li class="page_item page-item-1058"><a href="http://www.anotherscene.com/meaning/seventh-letter-synopsis-c.html">Seventh Letter Synopsis C</a></li> <li class="page_item page-item-1057"><a href="http://www.anotherscene.com/meaning/seventh-letter-synopsis-one.html">Seventh Letter Synopsis One</a></li> <li class="page_item page-item-1055"><a href="http://www.anotherscene.com/meaning/skema1.html">skema1</a></li> <li class="page_item page-item-1007"><a href="http://www.anotherscene.com/meaning/stoicheon-bee.html">stoicheon bee</a></li> <li class="page_item page-item-1056"><a href="http://www.anotherscene.com/meaning/subj-intellectual-autobiography.html">Subj: intellectual autobiography</a></li> <li class="page_item page-item-1044"><a href="http://www.anotherscene.com/meaning/sunousia-cybernetica.html">Sunousia Cybernetica</a></li> <li class="page_item page-item-1062"><a href="http://www.anotherscene.com/meaning/the-new-interactive-material-onsite.html">The New Interactive Material Onsite</a></li> <li class="page_item page-item-1063"><a href="http://www.anotherscene.com/meaning/troubleshooting-1.html">Troubleshooting 1</a></li> <li class="page_item page-item-1064"><a href="http://www.anotherscene.com/meaning/troubleshooting-2.html">Troubleshooting 2</a></li> <li class="page_item page-item-1024"><a href="http://www.anotherscene.com/meaning/what-is-said-and-what-what-is-said-says.html">What is said and what what is said says</a></li> <li class="page_item page-item-1066"><a href="http://www.anotherscene.com/meaning/whatmean.html">whatmean</a></li> <li class="page_item page-item-1003"><a href="http://www.anotherscene.com/meaning/wonder.html">wonder</a></li> <li class="page_item page-item-1067"><a href="http://www.anotherscene.com/meaning/zombie-html.html">zombie.html</a></li> </ul> </li> <li class="page_item page-item-888"><a href="http://www.anotherscene.com/hmsyl.html">hmsyl.html</a></li> <li class="page_item page-item-890 page_item_has_children"><a href="http://www.anotherscene.com/hysteria.html">I know he’s out there watching, and I can’t move</a> <ul class='children'> <li class="page_item page-item-933"><a href="http://www.anotherscene.com/hysteria/933-2.html">#933 (kein Titel)</a></li> <li class="page_item page-item-945"><a href="http://www.anotherscene.com/hysteria/945-2.html">#945 (kein Titel)</a></li> <li class="page_item page-item-907"><a href="http://www.anotherscene.com/hysteria/907-2.html">#907 (kein Titel)</a></li> <li class="page_item page-item-926"><a href="http://www.anotherscene.com/hysteria/926-2.html">#926 (kein Titel)</a></li> <li class="page_item page-item-905"><a href="http://www.anotherscene.com/hysteria/905-2.html">#905 (kein Titel)</a></li> <li class="page_item page-item-917"><a href="http://www.anotherscene.com/hysteria/a-conversation-continues.html">A conversation continues</a></li> <li class="page_item page-item-914"><a href="http://www.anotherscene.com/hysteria/advanced-html-prof.html">Advanced HTML Prof</a></li> <li class="page_item page-item-903"><a href="http://www.anotherscene.com/hysteria/after-words.html">After Words</a></li> <li class="page_item page-item-893"><a href="http://www.anotherscene.com/hysteria/amanda-2.html">Amanda 2</a></li> <li class="page_item page-item-900"><a href="http://www.anotherscene.com/hysteria/art-edges-cuttingbleeding.html">Art Edges Cutting/Bleeding</a></li> <li class="page_item page-item-950"><a href="http://www.anotherscene.com/hysteria/bang-crash.html">Bang! Crash!</a></li> <li class="page_item page-item-895"><a href="http://www.anotherscene.com/hysteria/coming-apart.html">coming apart</a></li> <li class="page_item page-item-909"><a href="http://www.anotherscene.com/hysteria/crave2.html">crave2</a></li> <li class="page_item page-item-908"><a href="http://www.anotherscene.com/hysteria/crave8.html">crave8</a></li> <li class="page_item page-item-896"><a href="http://www.anotherscene.com/hysteria/credit-2b.html">Credit 2B</a></li> <li class="page_item page-item-897"><a href="http://www.anotherscene.com/hysteria/credit-for.html">Credit For</a></li> <li class="page_item page-item-898"><a href="http://www.anotherscene.com/hysteria/dali-htm.html">dali.htm</a></li> <li class="page_item page-item-913"><a href="http://www.anotherscene.com/hysteria/en-fisk.html">En Fisk</a></li> <li class="page_item page-item-901"><a href="http://www.anotherscene.com/hysteria/eric-responds.html">Eric Responds</a></li> <li class="page_item page-item-902"><a href="http://www.anotherscene.com/hysteria/ernst-htm.html">ernst.htm</a></li> <li class="page_item page-item-940"><a href="http://www.anotherscene.com/hysteria/extramuros.html">Extramuros</a></li> <li class="page_item page-item-929"><a href="http://www.anotherscene.com/hysteria/first-hysterical-responses.html">First Hysterical Responses</a></li> <li class="page_item page-item-930"><a href="http://www.anotherscene.com/hysteria/first-hysterical-responses-2.html">First Hysterical Responses</a></li> <li class="page_item page-item-931"><a href="http://www.anotherscene.com/hysteria/first-hysterical-responses-3.html">First Hysterical Responses</a></li> <li class="page_item page-item-899"><a href="http://www.anotherscene.com/hysteria/from-the-fantastic-into-the-real.html">from the fantastic into the real</a></li> <li class="page_item page-item-947"><a href="http://www.anotherscene.com/hysteria/gallery.html">gallery</a></li> <li class="page_item page-item-948"><a href="http://www.anotherscene.com/hysteria/gallery-2.html">gallery</a></li> <li class="page_item page-item-906"><a href="http://www.anotherscene.com/hysteria/hpsylite-htm.html">hpsylite.htm</a></li> <li class="page_item page-item-910"><a href="http://www.anotherscene.com/hysteria/hysteria-begins-at-home.html">Hysteria Begins at Home</a></li> <li class="page_item page-item-911"><a href="http://www.anotherscene.com/hysteria/i-know-hes-out-there-watching-and-i-cant-move.html">I know he’s out there watching, and I can’t move</a></li> <li class="page_item page-item-916"><a href="http://www.anotherscene.com/hysteria/jordan.html">Jordan</a></li> <li class="page_item page-item-946"><a href="http://www.anotherscene.com/hysteria/just-checking.html">Just Checking</a></li> <li class="page_item page-item-918"><a href="http://www.anotherscene.com/hysteria/kates-intervention.html">Kate’s Intervention</a></li> <li class="page_item page-item-920"><a href="http://www.anotherscene.com/hysteria/last-resorts.html">last resorts</a></li> <li class="page_item page-item-904"><a href="http://www.anotherscene.com/hysteria/love-means-never.html">Love Means Never</a></li> <li class="page_item page-item-937"><a href="http://www.anotherscene.com/hysteria/module-five.html">Module Five</a></li> <li class="page_item page-item-924"><a href="http://www.anotherscene.com/hysteria/module-four.html">Module Four</a></li> <li class="page_item page-item-925"><a href="http://www.anotherscene.com/hysteria/of-negative-constant-curve.html">of negative constant curve</a></li> <li class="page_item page-item-927"><a href="http://www.anotherscene.com/hysteria/oulipob-htm.html">oulipob.htm</a></li> <li class="page_item page-item-919"><a href="http://www.anotherscene.com/hysteria/paper-outline-workshop.html">paper outline workshop</a></li> <li class="page_item page-item-921"><a href="http://www.anotherscene.com/hysteria/picture-this.html">Picture This</a></li> <li class="page_item page-item-894"><a href="http://www.anotherscene.com/hysteria/psychoanalysis-links.html">Psychoanalysis Links</a></li> <li class="page_item page-item-928"><a href="http://www.anotherscene.com/hysteria/quiz-on-schrebers-thought.html">Quiz on Schreber’s Thought></a></li> <li class="page_item page-item-932"><a href="http://www.anotherscene.com/hysteria/refers-to.html">Refers to . . .</a></li> <li class="page_item page-item-934"><a href="http://www.anotherscene.com/hysteria/reminiscence-2.html">Reminiscence 2</a></li> <li class="page_item page-item-935"><a href="http://www.anotherscene.com/hysteria/reminiscence-3.html">reminiscence 3</a></li> <li class="page_item page-item-936"><a href="http://www.anotherscene.com/hysteria/richard-responds.html">Richard Responds</a></li> <li class="page_item page-item-938"><a href="http://www.anotherscene.com/hysteria/semiotics.html">semiotics</a></li> <li class="page_item page-item-942"><a href="http://www.anotherscene.com/hysteria/sexuality-and-meaning.html">Sexuality and Meaning</a></li> <li class="page_item page-item-941"><a href="http://www.anotherscene.com/hysteria/student-six.html">Student Six</a></li> <li class="page_item page-item-922"><a href="http://www.anotherscene.com/hysteria/suffer-the-children.html">Suffer the Children</a></li> <li class="page_item page-item-943"><a href="http://www.anotherscene.com/hysteria/surdadarealism.html">Surdadarealism</a></li> <li class="page_item page-item-944"><a href="http://www.anotherscene.com/hysteria/tasks.html">tasks</a></li> <li class="page_item page-item-954"><a href="http://www.anotherscene.com/hysteria/the-ravens-eye.html">The Raven’s Eye</a></li> <li class="page_item page-item-939"><a href="http://www.anotherscene.com/hysteria/the-sentence-said-i.html">the sentence said „I“ . . .</a></li> <li class="page_item page-item-953"><a href="http://www.anotherscene.com/hysteria/the-unconscious.html">the unconscious</a></li> <li class="page_item page-item-891"><a href="http://www.anotherscene.com/hysteria/the-whole-shebang.html">The Whole Shebang!</a></li> <li class="page_item page-item-915"><a href="http://www.anotherscene.com/hysteria/theyre-made-out-of-meat.html">They’re Made out of Meat!</a></li> <li class="page_item page-item-951"><a href="http://www.anotherscene.com/hysteria/trouble-shoot-six.html">Trouble Shoot Six</a></li> <li class="page_item page-item-949"><a href="http://www.anotherscene.com/hysteria/trouble-shooting1.html">Trouble Shooting1</a></li> <li class="page_item page-item-892"><a href="http://www.anotherscene.com/hysteria/victims-of-same.html">victims of same</a></li> <li class="page_item page-item-923"><a href="http://www.anotherscene.com/hysteria/what-to-see.html">what to see?</a></li> <li class="page_item page-item-956"><a href="http://www.anotherscene.com/hysteria/whats-wrong-with-you.html">What’s Wrong with You?</a></li> <li class="page_item page-item-952"><a href="http://www.anotherscene.com/hysteria/you-seemed-so.html">you seemed so</a></li> <li class="page_item page-item-955"><a href="http://www.anotherscene.com/hysteria/your-body-wants.html">your body wants</a></li> </ul> </li> <li class="page_item page-item-771"><a href="http://www.anotherscene.com/inviodati-html.html">inviodati.html</a></li> <li class="page_item page-item-1148 page_item_has_children"><a href="http://www.anotherscene.com/postjapan.html">Japan postmoderne</a> <ul class='children'> <li class="page_item page-item-1152"><a href="http://www.anotherscene.com/postjapan/benkyo-eight-kantian-donuts.html">Benkyo Eight Kantian Donuts</a></li> <li class="page_item page-item-1149"><a href="http://www.anotherscene.com/postjapan/benkyo-two-on-on-seeing-the-100-perfect-girl.html">Benkyo Two on On Seeing the 100% Perfect Girl</a></li> <li class="page_item page-item-1150"><a href="http://www.anotherscene.com/postjapan/benkyo3-html.html">benkyo3.html</a></li> <li class="page_item page-item-1151"><a href="http://www.anotherscene.com/postjapan/benkyo5-on-second-bakery-attack.html">Benkyo5: On Second Bakery Attack</a></li> <li class="page_item page-item-1169"><a href="http://www.anotherscene.com/postjapan/cyborg-subjectivity.html">Cyborg Subjectivity</a></li> <li class="page_item page-item-1160"><a href="http://www.anotherscene.com/postjapan/forum-eleven-dj-anderson-to-katy-goodman.html">Forum Eleven DJ Anderson to Katy Goodman</a></li> <li class="page_item page-item-1156"><a href="http://www.anotherscene.com/postjapan/karatanis-non-cartesian-cogito-part-two.html">Karatani’s Non-Cartesian Cogito Part Two</a></li> <li class="page_item page-item-1172"><a href="http://www.anotherscene.com/postjapan/midquarter-eight-with-feedback.html">Midquarter Eight With Feedback</a></li> <li class="page_item page-item-1171"><a href="http://www.anotherscene.com/postjapan/midquarter-seven.html">Midquarter Seven</a></li> <li class="page_item page-item-1159"><a href="http://www.anotherscene.com/postjapan/oe-and-murakami.html">Oe and Murakami</a></li> <li class="page_item page-item-1155"><a href="http://www.anotherscene.com/postjapan/orientations-in-japanese-cultural-history.html">Orientations in Japanese Cultural History</a></li> <li class="page_item page-item-1173"><a href="http://www.anotherscene.com/postjapan/orientations-in-japanese-cultural-history-2.html">Orientations in Japanese Cultural History</a></li> <li class="page_item page-item-1161"><a href="http://www.anotherscene.com/postjapan/pmjforum12-html.html">pmjforum12.html</a></li> <li class="page_item page-item-1166"><a href="http://www.anotherscene.com/postjapan/pmjforum9-html.html">pmjforum9.html</a></li> <li class="page_item page-item-1162"><a href="http://www.anotherscene.com/postjapan/postmodern-japan-forum-14.html">Postmodern Japan Forum 14</a></li> <li class="page_item page-item-1165"><a href="http://www.anotherscene.com/postjapan/postmodern-japan-forum-eight.html">Postmodern Japan Forum Eight</a></li> <li class="page_item page-item-1164"><a href="http://www.anotherscene.com/postjapan/postmodern-japan-forum-on-postmodernism.html">Postmodern Japan Forum On Postmodernism</a></li> <li class="page_item page-item-1158"><a href="http://www.anotherscene.com/postjapan/postmodern-japan-forum-one.html">PostModern Japan Forum One</a></li> <li class="page_item page-item-1163"><a href="http://www.anotherscene.com/postjapan/postmodern-japan-forum-who-is-more-japanese.html">PostModern Japan Forum: Who is [more] Japanese?</a></li> <li class="page_item page-item-1167"><a href="http://www.anotherscene.com/postjapan/postmodern-japan-midquarter-10-with-feedback.html">Postmodern Japan Midquarter 10 With Feedback</a></li> <li class="page_item page-item-1157"><a href="http://www.anotherscene.com/postjapan/postmodern-japan-midquarter-spring-2002.html">Postmodern Japan Midquarter Spring 2002</a></li> <li class="page_item page-item-1170"><a href="http://www.anotherscene.com/postjapan/postmodern-japan-midquarter-with-feedback.html">Postmodern Japan Midquarter with Feedback</a></li> <li class="page_item page-item-1154"><a href="http://www.anotherscene.com/postjapan/postmodern-on-project-muse.html">Postmodern on Project Muse</a></li> <li class="page_item page-item-1168"><a href="http://www.anotherscene.com/postjapan/problematic-subjectivity-in-kairo-and-license-to-live.html">Problematic Subjectivity in Kairo and License to Live</a></li> </ul> </li> <li class="page_item page-item-958 page_item_has_children"><a href="http://www.anotherscene.com/japanpm.html">Japanpm</a> <ul class='children'> <li class="page_item page-item-973"><a href="http://www.anotherscene.com/japanpm/advanced-reading-one-eigh.html">Advanced Reading One Eigh</a></li> <li class="page_item page-item-974"><a href="http://www.anotherscene.com/japanpm/advanced-reading-one-to-be.html">Advanced Reading One To Be</a></li> <li class="page_item page-item-975"><a href="http://www.anotherscene.com/japanpm/advanced-reading-one-to-see.html">Advanced Reading One To See</a></li> <li class="page_item page-item-976"><a href="http://www.anotherscene.com/japanpm/advanced-reading-two-eigh.html">Advanced Reading Two-Eigh</a></li> <li class="page_item page-item-959"><a href="http://www.anotherscene.com/japanpm/agency-of-the-letter.html">Agency of the Letter</a></li> <li class="page_item page-item-961"><a href="http://www.anotherscene.com/japanpm/agency-of-the-letter-part-three.html">Agency of the Letter Part Three</a></li> <li class="page_item page-item-960"><a href="http://www.anotherscene.com/japanpm/agency-of-the-letter-part-two.html">Agency of the Letter Part Two</a></li> <li class="page_item page-item-962"><a href="http://www.anotherscene.com/japanpm/another-final.html">Another Final</a></li> <li class="page_item page-item-970"><a href="http://www.anotherscene.com/japanpm/buddhism-links-the-internetwork-of-indra.html">Buddhism Links the Internetwork of Indra</a></li> <li class="page_item page-item-968"><a href="http://www.anotherscene.com/japanpm/how-to-read-two.html">How to Read, Two</a></li> <li class="page_item page-item-972"><a href="http://www.anotherscene.com/japanpm/internet-resources-on-japan.html">Internet Resources on Japan</a></li> <li class="page_item page-item-971"><a href="http://www.anotherscene.com/japanpm/murakami-haruki-webibliography.html">Murakami Haruki Webibliography</a></li> <li class="page_item page-item-963"><a href="http://www.anotherscene.com/japanpm/oneirokritika.html">Oneirokritika</a></li> <li class="page_item page-item-965"><a href="http://www.anotherscene.com/japanpm/pedagogic-discontents-the-catfish-torpedoed.html">Pedagogic Discontents: the Catfish Torpedoed?</a></li> <li class="page_item page-item-969"><a href="http://www.anotherscene.com/japanpm/the-best-way-to-catfish-is-with-a-torpedo-fish.html">The Best Way to Catfish is with a Torpedo Fish</a></li> <li class="page_item page-item-966"><a href="http://www.anotherscene.com/japanpm/the-second-bakery-attack.html">The Second Bakery Attack</a></li> <li class="page_item page-item-967"><a href="http://www.anotherscene.com/japanpm/the-second-bakery-attack-2.html">The Second Bakery Attack</a></li> <li class="page_item page-item-964"><a href="http://www.anotherscene.com/japanpm/the-subjects-original-response.html">The Subject’s Original Response</a></li> </ul> </li> <li class="page_item page-item-977 page_item_has_children"><a href="http://www.anotherscene.com/jnarr.html">Jnarr</a> <ul class='children'> <li class="page_item page-item-978"><a href="http://www.anotherscene.com/jnarr/links-for-japan-research.html">Links for Japan Research</a></li> </ul> </li> <li class="page_item page-item-993"><a href="http://www.anotherscene.com/lunch.html">Lunch in the Dark</a></li> <li class="page_item page-item-995"><a href="http://www.anotherscene.com/mayday2-html.html">mayday2.html</a></li> <li class="page_item page-item-1069"><a href="http://www.anotherscene.com/monday.html">Monday Noir</a></li> <li class="page_item page-item-1071 page_item_has_children"><a href="http://www.anotherscene.com/moving.html">Moving Hieroglyphs</a> <ul class='children'> <li class="page_item page-item-1073"><a href="http://www.anotherscene.com/moving/films-and-filmmakers-moving-hieroglyphs.html">Films and Filmmakers Moving Hieroglyphs</a></li> </ul> </li> <li class="page_item page-item-769"><a href="http://www.anotherscene.com/invio-dati.html">ORDINA : Indicizzazione</a></li> <li class="page_item page-item-797"><a href="http://www.anotherscene.com/asias.html">Other Scenes</a></li> <li class="page_item page-item-1122 page_item_has_children"><a href="http://www.anotherscene.com/oxydol.html">Oxydol Poisoning Introduction</a> <ul class='children'> <li class="page_item page-item-1124"><a href="http://www.anotherscene.com/oxydol/oxydol-poisoning-part-11.html">Oxydol Poisoning Part 11</a></li> <li class="page_item page-item-1125"><a href="http://www.anotherscene.com/oxydol/oxydol-poisoning-part-13.html">Oxydol Poisoning Part 13</a></li> <li class="page_item page-item-1126"><a href="http://www.anotherscene.com/oxydol/oxydol-poisoning-part-14.html">Oxydol Poisoning Part 14</a></li> <li class="page_item page-item-1127"><a href="http://www.anotherscene.com/oxydol/oxydol-poisoning-part-seven.html">Oxydol Poisoning Part Seven</a></li> <li class="page_item page-item-1128"><a href="http://www.anotherscene.com/oxydol/untitled.html">Untitled</a></li> </ul> </li> <li class="page_item page-item-848"><a href="http://www.anotherscene.com/edges.html">Pacific Edges Screening Series</a></li> <li class="page_item page-item-772 page_item_has_children"><a href="http://www.anotherscene.com/portfolio.html">Portfolio : Indicizzazione</a> <ul class='children'> <li class="page_item page-item-773"><a href="http://www.anotherscene.com/portfolio/773-2.html">Portfolio : Indicizzazione</a></li> </ul> </li> <li class="page_item page-item-1074 page_item_has_children current_page_ancestor current_page_parent"><a href="http://www.anotherscene.com/outthere.html">science fiction</a> <ul class='children'> <li class="page_item page-item-1086 current_page_item"><a href="http://www.anotherscene.com/outthere/1086-2.html">#1086 (kein Titel)</a></li> <li class="page_item page-item-1083"><a href="http://www.anotherscene.com/outthere/1083-2.html">#1083 (kein Titel)</a></li> <li class="page_item page-item-1104"><a href="http://www.anotherscene.com/outthere/all-adjective-copula-the-noun-phrase.html">All Adjective Copula the Noun Phrase</a></li> <li class="page_item page-item-1116"><a href="http://www.anotherscene.com/outthere/analysis-terminable-and-in.html">Analysis Terminable and In-</a></li> <li class="page_item page-item-1108"><a href="http://www.anotherscene.com/outthere/arrested-development.html">Arrested Development</a></li> <li class="page_item page-item-1076"><a href="http://www.anotherscene.com/outthere/aspects-of.html">Aspects of</a></li> <li class="page_item page-item-1078"><a href="http://www.anotherscene.com/outthere/believe-in-me-or-ill-kill-you.html">Believe in Me or I’ll Kill You</a></li> <li class="page_item page-item-1079"><a href="http://www.anotherscene.com/outthere/bulgarian-resources.html">Bulgarian Resources</a></li> <li class="page_item page-item-1090"><a href="http://www.anotherscene.com/outthere/carrie.html">Carrie</a></li> <li class="page_item page-item-1121"><a href="http://www.anotherscene.com/outthere/chaos-is-relative.html">Chaos is Relative</a></li> <li class="page_item page-item-1080"><a href="http://www.anotherscene.com/outthere/chaos-updates.html">Chaos Updates</a></li> <li class="page_item page-item-1107"><a href="http://www.anotherscene.com/outthere/choices.html">Choices</a></li> <li class="page_item page-item-1106"><a href="http://www.anotherscene.com/outthere/connected-learning.html">Connected Learning</a></li> <li class="page_item page-item-1082"><a href="http://www.anotherscene.com/outthere/delany-on-the-episteme.html">Delany on the Episteme</a></li> <li class="page_item page-item-1095"><a href="http://www.anotherscene.com/outthere/der-jabberwocky-auf-deutsch-for-tomcho.html">Der Jabberwocky auf Deutsch for Tomcho</a></li> <li class="page_item page-item-1103"><a href="http://www.anotherscene.com/outthere/dickstoricity.html">Dickstoricity</a></li> <li class="page_item page-item-1084"><a href="http://www.anotherscene.com/outthere/fantasy-campus.html">Fantasy Campus</a></li> <li class="page_item page-item-1085"><a href="http://www.anotherscene.com/outthere/foreword-is-forearmed.html">foreword is forearmed</a></li> <li class="page_item page-item-1096"><a href="http://www.anotherscene.com/outthere/glossing-the-jabberwocky.html">Glossing the Jabberwocky</a></li> <li class="page_item page-item-1087"><a href="http://www.anotherscene.com/outthere/grammar-reference-essentials.html">Grammar Reference Essentials</a></li> <li class="page_item page-item-1089"><a href="http://www.anotherscene.com/outthere/guide-to-week-one-readings.html">Guide to Week One Readings</a></li> <li class="page_item page-item-1091"><a href="http://www.anotherscene.com/outthere/heartbreaker.html">heartbreaker</a></li> <li class="page_item page-item-1114"><a href="http://www.anotherscene.com/outthere/heinlein-on-sturgeons-godbody.html">Heinlein on Sturgeon’s Godbody</a></li> <li class="page_item page-item-1094"><a href="http://www.anotherscene.com/outthere/internet-exercise-2.html">Internet Exercise 2</a></li> <li class="page_item page-item-1117"><a href="http://www.anotherscene.com/outthere/its-not-a-place-its-a-state-of-mind.html">Its Not a Place its a State of Mind</a></li> <li class="page_item page-item-1110"><a href="http://www.anotherscene.com/outthere/joanna-russ-links.html">Joanna Russ Links</a></li> <li class="page_item page-item-1098"><a href="http://www.anotherscene.com/outthere/jouissance-he-said.html">Jouissance, he said</a></li> <li class="page_item page-item-1100"><a href="http://www.anotherscene.com/outthere/jrpb-htm.html">jrpb.htm</a></li> <li class="page_item page-item-1102"><a href="http://www.anotherscene.com/outthere/lewis-carrollers.html">Lewis Carrollers</a></li> <li class="page_item page-item-1118"><a href="http://www.anotherscene.com/outthere/messages-to-the-other.html">Messages to the Other</a></li> <li class="page_item page-item-1105"><a href="http://www.anotherscene.com/outthere/netcasting-in-daily-life.html">Netcasting In Daily Life</a></li> <li class="page_item page-item-1099"><a href="http://www.anotherscene.com/outthere/not-fade-whileaway.html">Not Fade Whileaway</a></li> <li class="page_item page-item-1088"><a href="http://www.anotherscene.com/outthere/out-there-guideposts.html">Out There Guideposts</a></li> <li class="page_item page-item-1109"><a href="http://www.anotherscene.com/outthere/roberto-htm.html">roberto.htm</a></li> <li class="page_item page-item-1081"><a href="http://www.anotherscene.com/outthere/samuel-r-delany-theorist.html">Samuel R. Delany, Theorist</a></li> <li class="page_item page-item-1075"><a href="http://www.anotherscene.com/outthere/science-fiction-practice-and-theory.html">Science Fiction Practice and Theory</a></li> <li class="page_item page-item-1112"><a href="http://www.anotherscene.com/outthere/science-fiction-resources.html">Science Fiction Resources</a></li> <li class="page_item page-item-1111"><a href="http://www.anotherscene.com/outthere/search-engines-et-alia.html">Search Engines Et Alia</a></li> <li class="page_item page-item-1115"><a href="http://www.anotherscene.com/outthere/sex-and-gender-not-one.html">Sex and Gender Not One</a></li> <li class="page_item page-item-1113"><a href="http://www.anotherscene.com/outthere/srd-links.html">SRD Links</a></li> <li class="page_item page-item-1119"><a href="http://www.anotherscene.com/outthere/that-elusive-object.html">That Elusive Object</a></li> <li class="page_item page-item-1097"><a href="http://www.anotherscene.com/outthere/the-jabberwocky-makes-my-heart-beat-out-a-tom-tom.html">The Jabberwocky makes my heart beat out a Tom-Tom</a></li> <li class="page_item page-item-1077"><a href="http://www.anotherscene.com/outthere/the-tower-is-fallen.html">The Tower is Fallen</a></li> <li class="page_item page-item-1120"><a href="http://www.anotherscene.com/outthere/whats-on-site-on-line.html">Whats On Site On Line</a></li> <li class="page_item page-item-1101"><a href="http://www.anotherscene.com/outthere/wonder-not-worry-not.html">Wonder Not Worry Not</a></li> <li class="page_item page-item-1092"><a href="http://www.anotherscene.com/outthere/you-are-who-you-think-i-think-you-think-i-am.html">You Are Who You Think I think You think I am</a></li> </ul> </li> <li class="page_item page-item-1068"><a href="http://www.anotherscene.com/screen-memories-the-screening-series-of-earl-jackson-jr.html">Screen Memories: The Screening Series of Earl Jackson, Jr.</a></li> <li class="page_item page-item-850"><a href="http://www.anotherscene.com/screenings-at-a-glance.html">Screenings at-a-glance</a></li> <li class="page_item page-item-1176 page_item_has_children"><a href="http://www.anotherscene.com/sempsych.html">Semiotics and Psychoanalysis</a> <ul class='children'> <li class="page_item page-item-1181"><a href="http://www.anotherscene.com/sempsych/donald-anderson-on-habit-change.html">Donald Anderson on Habit Change</a></li> <li class="page_item page-item-1178"><a href="http://www.anotherscene.com/sempsych/exercise2-html.html">exercise2.html</a></li> <li class="page_item page-item-1185"><a href="http://www.anotherscene.com/sempsych/final-examination-semiotics-and-psychoanalysis.html">Final Examination Semiotics and Psychoanalysis</a></li> <li class="page_item page-item-1180"><a href="http://www.anotherscene.com/sempsych/freuds-pre-psychoanalytic-career.html">Freud’s Pre-psychoanalytic Career</a></li> <li class="page_item page-item-1177"><a href="http://www.anotherscene.com/sempsych/freuds-self-analysis.html">Freud’s Self-Analysis</a></li> <li class="page_item page-item-1188"><a href="http://www.anotherscene.com/sempsych/guide-three-semiotics-and-psychoanalysis.html">Guide Three Semiotics and Psychoanalysis</a></li> <li class="page_item page-item-1179"><a href="http://www.anotherscene.com/sempsych/imaginary-exercise-three.html">Imaginary Exercise Three</a></li> <li class="page_item page-item-1195"><a href="http://www.anotherscene.com/sempsych/introduction-to-ferdinand-de-saussure.html">Introduction to Ferdinand de Saussure</a></li> <li class="page_item page-item-1182"><a href="http://www.anotherscene.com/sempsych/losing-ground-in-the-budapest-airport.html">Losing Ground in the Budapest Airport</a></li> <li class="page_item page-item-1193"><a href="http://www.anotherscene.com/sempsych/mid-quarter-semiotics-and-psychoanalysis.html">Mid-quarter Semiotics and Psychoanalysis</a></li> <li class="page_item page-item-1184"><a href="http://www.anotherscene.com/sempsych/resources-for-semiotics.html">Resources for Semiotics</a></li> <li class="page_item page-item-1187"><a href="http://www.anotherscene.com/sempsych/semiotics-and-psychoanalysis-study-guide-two.html">Semiotics and Psychoanalysis Study Guide Two</a></li> <li class="page_item page-item-1186"><a href="http://www.anotherscene.com/sempsych/spguide12-html.html">spguide12.html</a></li> <li class="page_item page-item-1189"><a href="http://www.anotherscene.com/sempsych/spguide5-html.html">spguide5.html</a></li> <li class="page_item page-item-1194"><a href="http://www.anotherscene.com/sempsych/sppeirce1-html.html">sppeirce1.html</a></li> <li class="page_item page-item-1192"><a href="http://www.anotherscene.com/sempsych/study-guide-eight.html">Study Guide Eight</a></li> <li class="page_item page-item-1191"><a href="http://www.anotherscene.com/sempsych/study-guide-seven.html">Study Guide Seven</a></li> <li class="page_item page-item-1190"><a href="http://www.anotherscene.com/sempsych/study-guide-six.html">Study Guide Six</a></li> <li class="page_item page-item-1196"><a href="http://www.anotherscene.com/sempsych/tracing-semiosis-one.html">Tracing Semiosis One</a></li> <li class="page_item page-item-1199"><a href="http://www.anotherscene.com/sempsych/tracing-semiosis-six-ooops.html">Tracing Semiosis Six Ooops!</a></li> <li class="page_item page-item-1198"><a href="http://www.anotherscene.com/sempsych/tracing-semiosis-three.html">Tracing Semiosis Three</a></li> <li class="page_item page-item-1197"><a href="http://www.anotherscene.com/sempsych/tracing-semiosis-two.html">Tracing Semiosis Two</a></li> </ul> </li> <li class="page_item page-item-751"><a href="http://www.anotherscene.com/751-2.html">SEO marketing: Indicizzazione</a></li> <li class="page_item page-item-764"><a href="http://www.anotherscene.com/seo-marketing-indicizzazione.html">SEO marketing: Indicizzazione</a></li> <li class="page_item page-item-776 page_item_has_children"><a href="http://www.anotherscene.com/servizio-di-segnalazione-manuale-siti-web-nelle-princcipali-directory-italiane.html">Servizio di segnalazione manuale siti web alle principali directory : : Indicizzazione</a> <ul class='children'> <li class="page_item page-item-777"><a href="http://www.anotherscene.com/servizio-di-segnalazione-manuale-siti-web-nelle-princcipali-directory-italiane/777-2.html">Servizio di segnalazione manuale siti web alle principali directory : : Indicizzazione</a></li> </ul> </li> <li class="page_item page-item-1204 page_item_has_children"><a href="http://www.anotherscene.com/suspense.html">Something Terrible is Going to Happen</a> <ul class='children'> <li class="page_item page-item-1208"><a href="http://www.anotherscene.com/suspense/145sections.html">145sections</a></li> <li class="page_item page-item-1227"><a href="http://www.anotherscene.com/suspense/critical-precision-a-manifesto.html">Critical Precision: a Manifesto</a></li> <li class="page_item page-item-1215"><a href="http://www.anotherscene.com/suspense/drymid.html">drymid</a></li> <li class="page_item page-item-1206"><a href="http://www.anotherscene.com/suspense/first-problems-2.html">First Problems</a></li> <li class="page_item page-item-1205"><a href="http://www.anotherscene.com/suspense/first-problems.html">First Problems</a></li> <li class="page_item page-item-1211 page_item_has_children"><a href="http://www.anotherscene.com/suspense/cadigan.html">index</a> <ul class='children'> <li class="page_item page-item-1212"><a href="http://www.anotherscene.com/suspense/cadigan/foolsgd.html">foolsgd</a></li> <li class="page_item page-item-1214"><a href="http://www.anotherscene.com/suspense/cadigan/luke-jackson-on-fools.html">Luke Jackson on Fools</a></li> </ul> </li> <li class="page_item page-item-1248 page_item_has_children"><a href="http://www.anotherscene.com/suspense/respect.html">Index of /suspense/respect</a> <ul class='children'> <li class="page_item page-item-1250"><a href="http://www.anotherscene.com/suspense/respect/a-welcome-response.html">A Welcome Response</a></li> <li class="page_item page-item-1251"><a href="http://www.anotherscene.com/suspense/respect/first-of-all-i-want-to-say-that-it-upsets-me-that-you-would-take-my-arguments-so-personally-as-to-belittle-me-with-snide-comments.html">First of all I want to say that it upsets me that you would take my arguments so personally as to belittle me with snide comments</a></li> </ul> </li> <li class="page_item page-item-1220 page_item_has_children"><a href="http://www.anotherscene.com/suspense/help.html">index.html</a> <ul class='children'> <li class="page_item page-item-1224"><a href="http://www.anotherscene.com/suspense/help/resources-for-research.html">Resources for Research</a></li> <li class="page_item page-item-1222"><a href="http://www.anotherscene.com/suspense/help/the-terror-of-ferdinand-de-saussure.html">The Terror of Ferdinand de Saussure</a></li> <li class="page_item page-item-1221"><a href="http://www.anotherscene.com/suspense/help/two8semiotics.html">two8Semiotics</a></li> <li class="page_item page-item-1223"><a href="http://www.anotherscene.com/suspense/help/usher-fallen-into-runes.html">Usher fallen into runes</a></li> </ul> </li> <li class="page_item page-item-1219"><a href="http://www.anotherscene.com/suspense/lectures-on-general-linguistics.html">Lectures on General Linguistics</a></li> <li class="page_item page-item-1252"><a href="http://www.anotherscene.com/suspense/ltmo-145d.html">LTMO 145D</a></li> <li class="page_item page-item-1228"><a href="http://www.anotherscene.com/suspense/meghann-mccracken.html">Meghann McCracken</a></li> <li class="page_item page-item-1229 page_item_has_children"><a href="http://www.anotherscene.com/suspense/net1.html">Net One</a> <ul class='children'> <li class="page_item page-item-1231"><a href="http://www.anotherscene.com/suspense/net1/a-question-of-jouissance.html">A Question of Jouissance</a></li> <li class="page_item page-item-1232"><a href="http://www.anotherscene.com/suspense/net1/net-one-r3.html">Net One R3</a></li> <li class="page_item page-item-1233"><a href="http://www.anotherscene.com/suspense/net1/net-one-r5.html">Net One R5</a></li> <li class="page_item page-item-1235"><a href="http://www.anotherscene.com/suspense/net1/net-one-r8.html">Net One R8</a></li> <li class="page_item page-item-1236"><a href="http://www.anotherscene.com/suspense/net1/riddle-html.html">riddle.html</a></li> <li class="page_item page-item-1234"><a href="http://www.anotherscene.com/suspense/net1/two6.html">two6</a></li> </ul> </li> <li class="page_item page-item-1244"><a href="http://www.anotherscene.com/suspense/nichole-kypreos.html">Nichole Kypreos</a></li> <li class="page_item page-item-1245"><a href="http://www.anotherscene.com/suspense/nichole-kypreos-2.html">Nichole Kypreos</a></li> <li class="page_item page-item-1207"><a href="http://www.anotherscene.com/suspense/on-reserve.html">On reserve</a></li> <li class="page_item page-item-1217"><a href="http://www.anotherscene.com/suspense/paul-bauman-on-peirce.html">Paul Bauman on Peirce</a></li> <li class="page_item page-item-1218"><a href="http://www.anotherscene.com/suspense/paul-bauman-on-peirce-2.html">Paul Bauman on Peirce 2</a></li> <li class="page_item page-item-1247"><a href="http://www.anotherscene.com/suspense/reader-one-contents.html">Reader One Contents</a></li> <li class="page_item page-item-1209"><a href="http://www.anotherscene.com/suspense/suspense-is-killing-you.html">Suspense is killing you</a></li> <li class="page_item page-item-1210"><a href="http://www.anotherscene.com/suspense/the-ordeal-continues.html">The ordeal continues</a></li> <li class="page_item page-item-1246"><a href="http://www.anotherscene.com/suspense/the-unusual-suspects.html">the unusual suspects</a></li> <li class="page_item page-item-1253"><a href="http://www.anotherscene.com/suspense/therese-suarez.html">Therese Suarez</a></li> <li class="page_item page-item-1237 page_item_has_children"><a href="http://www.anotherscene.com/suspense/net2.html">two1</a> <ul class='children'> <li class="page_item page-item-1239"><a href="http://www.anotherscene.com/suspense/net2/two1.html">two1</a></li> <li class="page_item page-item-1240"><a href="http://www.anotherscene.com/suspense/net2/two3.html">two3</a></li> <li class="page_item page-item-1241"><a href="http://www.anotherscene.com/suspense/net2/two5.html">two5</a></li> <li class="page_item page-item-1242"><a href="http://www.anotherscene.com/suspense/net2/two7.html">two7</a></li> <li class="page_item page-item-1243"><a href="http://www.anotherscene.com/suspense/net2/two8semiotics.html">two8Semiotics</a></li> </ul> </li> <li class="page_item page-item-1216"><a href="http://www.anotherscene.com/suspense/you-know-what-they-say-big-hands-big-vocab.html">You know what they say . . . big hands, big vocab</a></li> </ul> </li> <li class="page_item page-item-1202"><a href="http://www.anotherscene.com/summer.html">Summer of Love Crimes</a></li> <li class="page_item page-item-1254"><a href="http://www.anotherscene.com/swansong.html">SwanSong Cinema Screening Series Fall 2002</a></li> <li class="page_item page-item-783 page_item_has_children"><a href="http://www.anotherscene.com/tag.html">Tag</a> <ul class='children'> <li class="page_item page-item-780 page_item_has_children"><a href="http://www.anotherscene.com/tag/directory.html">directory : Indicizzazione</a> <ul class='children'> <li class="page_item page-item-781"><a href="http://www.anotherscene.com/tag/directory/781-2.html">directory : Indicizzazione</a></li> </ul> </li> <li class="page_item page-item-785 page_item_has_children"><a href="http://www.anotherscene.com/tag/indicizzazione.html">indicizzazione : Indicizzazione</a> <ul class='children'> <li class="page_item page-item-786"><a href="http://www.anotherscene.com/tag/indicizzazione/786-2.html">indicizzazione : Indicizzazione</a></li> </ul> </li> </ul> </li> <li class="page_item page-item-979 page_item_has_children"><a href="http://www.anotherscene.com/jpntext.html">The New Dolphin Hotel</a> <ul class='children'> <li class="page_item page-item-981"><a href="http://www.anotherscene.com/jpntext/comparison-wondering-1.html">Comparison Wondering 1</a></li> <li class="page_item page-item-982"><a href="http://www.anotherscene.com/jpntext/contradiction.html">Contradiction</a></li> <li class="page_item page-item-983"><a href="http://www.anotherscene.com/jpntext/dupe-html.html">dupe.html</a></li> <li class="page_item page-item-988"><a href="http://www.anotherscene.com/jpntext/japanese-literature-resources.html">Japanese Literature Resources</a></li> <li class="page_item page-item-986"><a href="http://www.anotherscene.com/jpntext/jeff-masuda-1.html">Jeff Masuda 1</a></li> <li class="page_item page-item-987"><a href="http://www.anotherscene.com/jpntext/jeff-melin-2.html">Jeff Melin 2</a></li> <li class="page_item page-item-990"><a href="http://www.anotherscene.com/jpntext/long-mad-chapter-1.html">Long Mad Chapter 1</a></li> <li class="page_item page-item-991"><a href="http://www.anotherscene.com/jpntext/long-mad-chapter-5.html">Long Mad Chapter 5</a></li> <li class="page_item page-item-989"><a href="http://www.anotherscene.com/jpntext/madam-butterfly-preface.html">Madam Butterfly Preface</a></li> <li class="page_item page-item-992"><a href="http://www.anotherscene.com/jpntext/reading-japanese-literature.html">Reading Japanese Literature</a></li> <li class="page_item page-item-984"><a href="http://www.anotherscene.com/jpntext/response-feedback-sample.html">Response Feedback Sample</a></li> <li class="page_item page-item-980"><a href="http://www.anotherscene.com/jpntext/surface86.html">surface86</a></li> </ul> </li> <li class="page_item page-item-1129 page_item_has_children"><a href="http://www.anotherscene.com/phaedrus.html">The Phaedrus Kit</a> <ul class='children'> <li class="page_item page-item-1144"><a href="http://www.anotherscene.com/phaedrus/ancient-orthographies-resources.html">Ancient Orthographies Resources</a></li> <li class="page_item page-item-1131"><a href="http://www.anotherscene.com/phaedrus/diairesis.html">Diairesis</a></li> <li class="page_item page-item-1142"><a href="http://www.anotherscene.com/phaedrus/earls-commentary-on-phaedrus-eight-250d-253c.html">Earl’s Commentary on Phaedrus Eight 250d-253c</a></li> <li class="page_item page-item-1141"><a href="http://www.anotherscene.com/phaedrus/earls-commentary-on-the-phaedrus-part-seven.html">Earl’s Commentary on the Phaedrus Part Seven</a></li> <li class="page_item page-item-1140"><a href="http://www.anotherscene.com/phaedrus/earls-commentary-on-the-phaedrus-part-4.html">Earl’s Commentary on the Phaedrus, Part 4</a></li> <li class="page_item page-item-1139"><a href="http://www.anotherscene.com/phaedrus/earls-commentary-phaedrus-14-274b-277a.html">Earl’s Commentary Phaedrus 14 (274b-277a)</a></li> <li class="page_item page-item-1135"><a href="http://www.anotherscene.com/phaedrus/eros-defined.html">Eros Defined</a></li> <li class="page_item page-item-1145"><a href="http://www.anotherscene.com/phaedrus/himeros-in-plato.html">Himeros in Plato</a></li> <li class="page_item page-item-1138"><a href="http://www.anotherscene.com/phaedrus/his-mouth-to-my-mouths-kiss.html">His mouth to my mouth’s kiss</a></li> <li class="page_item page-item-1136"><a href="http://www.anotherscene.com/phaedrus/lexica-of-desire-in-the-phaedrus.html">Lexica of Desire in the Phaedrus</a></li> <li class="page_item page-item-1143"><a href="http://www.anotherscene.com/phaedrus/phaedrus-part-seven.html">Phaedrus Part Seven</a></li> <li class="page_item page-item-1147"><a href="http://www.anotherscene.com/phaedrus/resources-for-the-armchair-classicists.html">Resources for the Armchair Classicists</a></li> <li class="page_item page-item-1134"><a href="http://www.anotherscene.com/phaedrus/safe-greek-fun-kids-try-it-at-home.html">Safe Greek Fun – Kids Try it at Home!</a></li> <li class="page_item page-item-1133"><a href="http://www.anotherscene.com/phaedrus/the-eleusinian-mysteries.html">The Eleusinian Mysteries</a></li> <li class="page_item page-item-1132"><a href="http://www.anotherscene.com/phaedrus/the-path-i-have-loved-though-it-abandons-me.html">The path I have loved though it abandons me</a></li> <li class="page_item page-item-1146"><a href="http://www.anotherscene.com/phaedrus/who-was-plato.html">Who Was Plato?</a></li> <li class="page_item page-item-1130"><a href="http://www.anotherscene.com/phaedrus/you-can-take-the-boy-out-of-the-contexts-but-not-make-him-drink.html">You can take the boy out of the contexts but not make him drink</a></li> </ul> </li> <li class="page_item page-item-1174"><a href="http://www.anotherscene.com/repdif.html">The Responsibility to Difference</a></li> <li class="page_item page-item-1258 page_item_has_children"><a href="http://www.anotherscene.com/tpattern.html">Tpattern</a> <ul class='children'> <li class="page_item page-item-1256"><a href="http://www.anotherscene.com/tpattern/index.html">Rorschach Test Patterns</a></li> </ul> </li> <li class="page_item page-item-1200"><a href="http://www.anotherscene.com/spectacles.html">Two-Way Spectacles</a></li> <li class="page_item page-item-800 page_item_has_children"><a href="http://www.anotherscene.com/cinema.html">We Flicker in the dark</a> <ul class='children'> <li class="page_item page-item-804 page_item_has_children"><a href="http://www.anotherscene.com/cinema/suture.html">An Introduction to Suture</a> <ul class='children'> <li class="page_item page-item-806"><a href="http://www.anotherscene.com/cinema/suture/suture-as-a-lacanian-concept.html">Suture As a Lacanian Concept</a></li> </ul> </li> <li class="page_item page-item-802 page_item_has_children"><a href="http://www.anotherscene.com/cinema/obscura.html">Obscura</a> <ul class='children'> <li class="page_item page-item-803"><a href="http://www.anotherscene.com/cinema/obscura/aristotle-and-the-camera-obscura.html">Aristotle and the camera obscura</a></li> </ul> </li> </ul> </li> <li class="page_item page-item-851 page_item_has_children"><a href="http://www.anotherscene.com/freudlacan.html">Wenn ich euch meine Wünsche erzählen dürfte</a> <ul class='children'> <li class="page_item page-item-867"><a href="http://www.anotherscene.com/freudlacan/867-2.html">#867 (kein Titel)</a></li> <li class="page_item page-item-873"><a href="http://www.anotherscene.com/freudlacan/873-2.html">#873 (kein Titel)</a></li> <li class="page_item page-item-874"><a href="http://www.anotherscene.com/freudlacan/an-outline-of-psycho-analysis-by-sigmund-freud.html">„An Outline of Psycho-Analysis“ by Sigmund Freud</a></li> <li class="page_item page-item-852"><a href="http://www.anotherscene.com/freudlacan/are-you-there.html">Are you there?</a></li> <li class="page_item page-item-854"><a href="http://www.anotherscene.com/freudlacan/are-you-there-2.html">Are you there?</a></li> <li class="page_item page-item-860"><a href="http://www.anotherscene.com/freudlacan/are-you-there-3.html">Are You There? –</a></li> <li class="page_item page-item-853"><a href="http://www.anotherscene.com/freudlacan/armen-html.html">armen.html</a></li> <li class="page_item page-item-856"><a href="http://www.anotherscene.com/freudlacan/auto-analysis.html">Auto Analysis</a></li> <li class="page_item page-item-876"><a href="http://www.anotherscene.com/freudlacan/concerning-cult-images.html">Concerning Cult Images</a></li> <li class="page_item page-item-863"><a href="http://www.anotherscene.com/freudlacan/freud-and-lacan-seminar-earl-jackson-jr.html">Freud and Lacan Seminar Earl Jackson, Jr.</a></li> <li class="page_item page-item-862"><a href="http://www.anotherscene.com/freudlacan/freud-and-lacan-working-bibliography.html">Freud and Lacan Working Bibliography</a></li> <li class="page_item page-item-864"><a href="http://www.anotherscene.com/freudlacan/good-news-troys-real.html">Good News – Troy’s Real</a></li> <li class="page_item page-item-857"><a href="http://www.anotherscene.com/freudlacan/i-saw-what-you-searched-and-know-who-you-arent.html">I saw what you searched and know who you aren’t</a></li> <li class="page_item page-item-859"><a href="http://www.anotherscene.com/freudlacan/interview-with-atom-egoyan-at-sundance.html">Interview with Atom Egoyan at Sundance</a></li> <li class="page_item page-item-880"><a href="http://www.anotherscene.com/freudlacan/jason-jacobs.html">Jason Jacobs</a></li> <li class="page_item page-item-866"><a href="http://www.anotherscene.com/freudlacan/joseph-said-it-meant.html">Joseph said it meant</a></li> <li class="page_item page-item-870"><a href="http://www.anotherscene.com/freudlacan/lets-seminar.html">lets seminar</a></li> <li class="page_item page-item-871"><a href="http://www.anotherscene.com/freudlacan/linearb-html.html">linearb.html</a></li> <li class="page_item page-item-872"><a href="http://www.anotherscene.com/freudlacan/mykonos-html.html">mykonos.html</a></li> <li class="page_item page-item-875"><a href="http://www.anotherscene.com/freudlacan/pervert3-html.html">pervert3.html</a></li> <li class="page_item page-item-877"><a href="http://www.anotherscene.com/freudlacan/protocol-1-earl-jackson-jr.html">Protocol 1 – Earl Jackson, Jr.</a></li> <li class="page_item page-item-868"><a href="http://www.anotherscene.com/freudlacan/stallions-of-the-death-drive.html">Stallions of the Death Drive</a></li> <li class="page_item page-item-879"><a href="http://www.anotherscene.com/freudlacan/stina-teilmann-protocol-102897.html">Stina Teilmann Protocol 10/28/97</a></li> <li class="page_item page-item-861"><a href="http://www.anotherscene.com/freudlacan/the-archeology-of.html">the archeology of</a></li> <li class="page_item page-item-855"><a href="http://www.anotherscene.com/freudlacan/the-night-porter.html">The Night Porter</a></li> <li class="page_item page-item-858"><a href="http://www.anotherscene.com/freudlacan/the-trouble-with-stationarytitle.html">The Trouble with StationaryTITLE></a></li> <li class="page_item page-item-881"><a href="http://www.anotherscene.com/freudlacan/tongues-html.html">tongues.html</a></li> <li class="page_item page-item-882"><a href="http://www.anotherscene.com/freudlacan/vacancy.html">Vacancy</a></li> <li class="page_item page-item-878"><a href="http://www.anotherscene.com/freudlacan/you-call-it-maze.html">You call it Maze</a></li> <li class="page_item page-item-869"><a href="http://www.anotherscene.com/freudlacan/zeroes-and-ones.html">Zeroes and Ones</a></li> </ul> </li> <li class="page_item page-item-1259"><a href="http://www.anotherscene.com/yen.html">Yen Economies A Screening Series Spring 2002</a></li> </ul> </aside> </div> </div><!-- #secondary --> </div><!-- close .*-inner (main-content or sidebar, depending if sidebar is used) --> </div><!-- close .row --> </div><!-- close .container --> </div><!-- close .site-content --> <div id="footer-area"> <div class="container footer-inner"> <div class="row"> </div> </div> <footer id="colophon" class="site-footer" role="contentinfo"> <div class="site-info container"> <div class="row"> <nav role="navigation" class="col-md-6"> <ul id="menu-oben-1" class="nav footer-nav clearfix"><li class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-60"><a href="http://www.anotherscene.com/category/unternehmen-finanzieren/">Unternehmen finanzieren</a></li> <li class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-59"><a href="http://www.anotherscene.com/category/werbethemen/">Werbethemen</a></li> <li class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-61"><a href="http://www.anotherscene.com/category/urlaub/">Urlaub</a></li> </ul> </nav> </div> </div><!-- .site-info --> <div class="scroll-to-top"><i class="fa fa-angle-up"></i></div><!-- .scroll-to-top --> </footer><!-- #colophon --> </div> </div><!-- #page --> <script type='text/javascript' src='http://www.anotherscene.com/wp-content/themes/sparkling/inc/js/skip-link-focus-fix.js?ver=20140222'></script> </body> </html>